Today’s post is by a good friend of mine, Greg Jackson. He uses his humor and dry wit to present an otherwise dusty topic… handling acoustical issues in your room.
The arcane science of acoustic design can be dated back to the earliest cave-dwellers, who have been found, through archeological excavation, to have hung animal pelts from the walls to keep their domiciles from feeling so “live.”
That’s not true. It was an allegory. About a cave. But it sounded good, no? Such is the case with a lot of the information floating around out there relating to acoustics: it sounds great, but it’s malarky. We see it a lot in regards to studio design, but it reaches a lot further than that. I had a guy call once that had a large, noisy piece of machinery in a room, and was wondering how many absorption panels he needed to buy to keep it from being heard outside. Answer? However many you need to stack under it to raise it a foot off the floor.
We’ve all experienced bad acoustics, whether we knew it or not. Gyms are an obvious example, but consider the restaurant that is so reflective, you have to shout to get your wife to hear you over the sound of utensils clanging together, or the doctor’s office where you can hear his conversation with the guy in the next exam room (that’s why the people in the waiting room were snickering when you left). The best way to dispel myth is with a little education, so, armed with the sword of truth, let’s hack to pieces the enemy forces of ignorance and let forth the battle cry “Scientia Potentia Est!!!” (Hey, I didn’t know GI Joe spoke Latin!)