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Acappella Memories: The Seat of Questioning

Acappella Classic

photo courtesy of Keith Lancaster

We (Acappella Classic) had a reunion concert in Amarillo last week. It was a wonderful time, and more events like this are planned. Most people probably don’t realize that these concerts are much more fun for us than for the crowd. Or, at least, that’s what we think.

When we get together, old stories and habits start popping up quickly. Most of the habits and antics would be senseless to you, as they are the product of so many years together on the road. Many of them are just plain stupid, but they made us laugh.

But the stories… there are countless stories to remember and share. For instance, one former member (who shall remain nameless in this entry) shared his approach for the ride home with the people who would be hosting us.

Some explanation is probably required. For the first few years of Acappella’s existence, we stayed almost exclusively in homes, usually members of the church where we sang. This continued from the beginning (1984) until somewhere around 1992. At that point we slowly started adding in hotels, until it became nothing but hotels a few years later.

Staying in homes was usually a great experience and I firmly believe that is one of the reasons we enjoyed such success early on. Some of those hosts have become lifelong friends. Still, it was tough in ways you wouldn’t expect unless you’ve experienced it. Every host home fed us like it was our last meal. I would wager I gained 200 pounds and lost 170 over my time with the group, due in large part to the fabulous food our host families offered us. Along with this, every host would want to talk to us until late into the evening, long after the concert was done and most sane people were long since sleeping. Between the lack of sleep and the food, we had to make some changes which is why the hotels started coming into play more often.

But I digress. Let me share about the “ride home.” This would vary somewhat, depending on whether or not the host knew who we were (oh yes, there were a good number who thought we were college kids or who didn’t come to the concert and had no clue). In general, the person who sat in the front seat took the brunt of all the questions. We would take turns being in the front – the seat of questioning. The guys in the back would relax and snicker at the Inquisition happening up front.

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Acappella Memories: Lost in Holland

Lost in HollandBefore I begin this story, I admit that my memory is a bit sketchy on the facts. Certain parts of the story stand out vividly, and parts are very fuzzy. I will try to connect the facts as best I can and you guys can fill in the rest.

We were invited to a festival in Holland, which was very exciting for us. It may have been our first International foray, but I’m not entirely sure. This would have been around 1990. The concept of Acappella Missions, our new outreach organization, was new and this was one of the first times (if not THE first) that we had a chance to do something for it.

We knew we were flying over, expenses paid, for the big event in Holland. Since our flights were taken care of, we decided to extend our time in Europe and go on a mission-based tour, singing in cities connected with local missionaries. This was the trip that we had our East German experience, which is another story entirely.

Anyway, our plans were to meet Tom and Margaret Kincannon, the directors of Acappella Missions, in Holland at the conclusion of the festival. But first, we had to make it through the festival itself.

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Acappella Memories: Alvin!

As I mentioned in my last Acappella Memories post, we had a rule: Never stop the song. Most people will never catch the mistake if you just finish the song. At best, if they catch it, they will forget it. Just finish the song. This led to some hilarious outcomes.

I remember one concert where Kevin Schaffer came barreling out of the curtain at the edge of the stage and tripped over the legs of the backstage lights. He spilled onto the floor. Kevin, as only he could do, morphed it into a hilarious pose, laying on his side with his head propped up on his arm. He looked like… well, I probably shouldn’t say what he looked like. But we all thought it was hilarious, and all this while the song continued. Kevin turned a potential disaster into a funny event. The only problem was that we were singing for a somewhat new audience who didn’t know Kevin’s personality yet. So, they didn’t get it.

Oh well. You can’t win them all.

Cincinnati: the Twilight Zone

There were certain areas in the country where our popularity just exploded. I mentioned South Bend, IN in an earlier post. Another area similar to this was the Cincinnati-Dayton area. We sang there annually in the late 80’s and early 90’s. Oftentimes we would do 2 (and sometimes 3) concerts per weekend in the same venue.

Brennan Dean was our promoter for that area and he was very good. We always sang at a church in Middletown, halfway between Cincinnati and Dayton. The place sat about 2700 people packed out, and it was almost always packed out. One particular Sunday afternoon in late 1989 was no different.

We had just released the album Growing Up in the Lord and were performing several songs from that album, most notably Water From the Well where all the kids in the building would join us on stage. But that’s another story. We kicked off the song I Can Walk when it happened.

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Acappella Memories: Kathisophobia or I’ll Stand, Thank You

Acappella: The CollectionAs I mentioned in my last Acappella post, I performed over 1,400 concerts in the space of 11 years. That does not take into account church service performances, radio stations, bookstores or mission trips. I couldn’t even begin to remember even 1/3 of those. That said, there are a few that stand out with vivid recollection. South Bend, Indiana is one of those.

The South Bend / Elkhart / Goshen area was a good place for Acappella and AVB. Both groups appeared there many times. Radio airplay was good to us as well. We consistently charted quite high in that local market. AVB’s The Victim stayed #1 for months in 1989-90. Needless to say, we were in that area annually for a concert.

Sometime in the 90’s, around 1998 I believe, we released a “best of” album called The Collection. There were far too many songs requested for the album. As it was, we included 17 and the CD was full. As a means to include more songs and pay homage to some of the older tunes, we put together a medley. It was just short of 12 minutes and covered many tunes. We then worked up a slightly edited version of the medley and added it to our concert repertoire. To make the presentation of the medley more intimate (and give us a slight break), we used tall stools for the medley.

You can probably guess what’s coming.

As I recall, it was the late Spring of 1999 and we were singing at the ELCO Theater in Elkhart (now renovated and called the Lerner). The house was full with just short of 3,000 people. The concert was going very well and we were in our 2nd set, after intermission and nearing the end. It was time for the medley and we pulled up our stools and started in.

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Amazing Virtual Choir

I found this song on Spotify a while back. I love it. This evening, I was walking through the room and my daughter was listening to it online… on YouTube. What??

If you like amazing choral music, you’ll love this. If you like tech-oriented mash-ups, you’ll love this. If you like them both, this video will blow you away. Enjoy.

Acappella Memories: Grounded in Texas

Big RedI have lost count of the people who’ve told me I should write a book about my experiences on the road. I spent a total of 11 years on the road with Acappella. By my best reckoning, I performed somewhere north of 1400 concerts. That’s a lot of stories to tell.

Too bad I can’t remember most of it. And NO, that doesn’t mean I was doing things I shouldn’t have been doing that blotted out my memory. It means I’m getting old too fast. The book may never happen, but I can at least share some memories here in my blog.

Therefore, I will endeavor to share some of these memories, little by little, over the next few months. I’m sure I will get some details wrong, but that’s what the comment section is for. Those of you who know the details better, please correct me.

I-30 Blues

The first memory that comes to mind probably happened in 1990 or so. It was before I married my lovely wife, Sherri. In the late 80’s and early 90’s, we spent a good deal of time in Texas. Interstate 30 runs through DFW and on to the east through the town of Sulphur Springs.

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What Can’t A Cappella Groups Do?

Deke SharonDeke Sharon posted this article this morning. I don’t usually reblog someone’s work on the same day they post, but this one is really good. You can see the original article at this link. If you are a singer in the a cappella genre and don’t follow Deke or CASA, you’re missing out. They are great supporters of a cappella and have done much to advance the art. With full kudos to Deke, here is his article:


I just got off the phone with a friend who has a well known a cappella group (which shall remain nameless) that just got new management. Great new management.

However, like many managers, this person doesn’t really know what to do with a cappella. “What can an a cappella group do?”

What can we do?!? What CAN’T we do?

Opening For Other Acts

There is no better opening act than an a cappella group. Why? No instruments means no load in and no space needed on stage. Just float out in front of the band’s set up, do your thing, and the headliner doesn’t have to worry about your production value or sound upstaging their set, and yet they know the audience will love it. Comedians are risky (too racy? too corny?), a cappella is perfect. Doesn’t usually pay that well, but you make lots of new fans, sell albums in the lobby at intermission, and see the world. A great way to fill in off days in your home town (establish a relationship with local theaters, stadiums and promoters), and a great way to get you on a plane to new regions, where you can make…

Television or Radio Appearances

Slip on stage and slip off stage. A love song for Valentine’s Day, “Take Me Out To The Ballgame” on opening day, “When The Saints go Marching In” for Mardi Gras. There’s a song for almost every holiday, and a pre-existing arrangement if you don’t have time to pull one together yourselves. And while you’re there, giving the morning show or cable access arts program a nice five minute segment, you’re also promoting the rest of your gigs. No pay, but excellent audio and video promotion you can cut into your promo video and splash all over our social media sites. Along the same lines, there are always…

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Keith Lancaster on Singing and Worship

Keith shares his thoughts on the importance of lifting our voice to God in worship.

Beatbox Madness

Beatboxing has been around for a while. Many people think we were one of the first to introduce the concept, but it’s been around much longer than Acappella or AVB. The streets of New York and Philadelphia were rocking to the vocal beat for years before mainstream music adopted it. Today’s young artists are pushing it even further. Witness the following:

Kevin Olusola is the amazing beatbox master for the Show-Off winning group Pentatonix. Not many people realize that he was a member of the Contemporary Christian group Gungor (remember the song “Beautiful Things?). They were opening for David Crowder Band while the Sing-Off was airing. Anyway… Kevin was the beatboxing cellist. Watch this and be amazed:

But wait! There’s more! Ever heard of Annie Wu? Neither had I.

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The Power of Introverts

I’ve been a raging introvert all my life. The common response from most people who hear this is, “No way!”  Well, sorry… very much way.

One of my favorite things to do as I was growing up in Lubbock was to sit in my parents bedroom under the evaporative air conditioner and play with my Johnny West figures. You know… the ones that we’re about 10 inches tall and made of hard plastic? Sort of like the old G.I. Joe but much cooler. Anyway, I would sit there for hours with my 10 or so figures and pen and paper and hold a diving contest. Those things were great for flipping in the air. They’d do all kinds of spins and stunts. It was like Olympic diving. I would give them scores and hold tournaments.

Geronimo seemed to win the most. I guess it was something to do with his weight distribution.

I would do this for hours on end, all by myself (I was an only child). And I was perfectly happy to be all by myself. I suppose that was an indication of my personality and my introversion. My life proceeded in much the same manner.

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